Jennifer's Body
Director: Karyn Kusama
Starring: Amanda Seyfried, Megan Fox, Johnny Simmons, Adam Brody
One of two best friends gets turned into a demon.
Oh dear. I had no interest whatsoever in seeing this, but a friend of mine said I would like it as a bad movie, her comment being a roll of the eyes and "Oh my God, the DIALOGUE!" So onto my list it went. This movie should really be titled "Diablo Cody tries to do something else," because this is where the screenwriter who gave us Juno tries to extend her career, parlaying what we liked about her into something the tiniest bit different, and in retrospect it has enough strengths to make one regret the overall mish-mash. Of course, we also won't ever really know what went wrong, although I think I can detect the exact moment when the focus-group mandated alternate ending begins. Ultimately this movie aspires to be a really good episode of Buffy, although I'm not sure Cody realized that what she needed to do to write this script was to watch the entire series of Buffy once and Seasons 2-4 three times, as well as perhaps become best friends with Marti Noxon and Jane Espenson. Anyway, this is what we've got, so let's go with it.
We open with Amanda Seyfried as Needy in a mental institution. How's that for a programmatic name: NEEDY. I think it was also a mistake to show her in a mental institution, because now we know how the movie ends. Things get wacky fast as we see that Needy wears big bunny slippers in the mental institution and tells us, in her snarky, slang-filled voiceover that she "has her fans," whereupon we see a bunch of fan mail and little presents sent to her. We also find out that this town, named "Devil's Kettle," has a waterfall with a CGI whirlpool at the bottom, which scientists haven't been able to find a bottom to. Perhaps because it goes straight down--to HELL.

So Needy is one of those heart-stoppingly gorgeous, über-fashionable young women without an ounce of body fat and perfectly coiffed coils of blonde hair that wears glasses and is therefore a "total dork." She and the super-hot Jennifer, played by Megan Fox, have been best friends since childhood, which is all we get to explain why they are still so close. Although this school only has main characters and extras, no one in between, so there doesn't seem to be any social circles for either of them to run with. The two women are going to the show of this band Low Shoulder, and we have a bit of content about how Jennifer subtly dictates that Needy wear something attractive, but not more attractive than her.
They get there, and Jennifer comes onto the band. Needy then hears the lead singer saying that Jennifer is probably a virgin, so they should try to nail her. The band, by the way, is supposedly an emo band, which is supposed to be funny. They look to my like they're wanting to be Maroon 5, which strikes me more as an American Express commercial band, but whatever. Anyway, the band is playing when, out of nowhere, the place starts on fire. Needy and Jennifer get out, then the band encourages then to get in their van. Needy advises against it, but Jennifer hops right in with a snide comment back at Needy, about how she's such a downer. Keep this in mind, because later we'll come back to this moment, only then it'll be characterized that Jennifer TOTALLY didn't want to be there and was SO coerced into it!
But first, we have a line of voiceover where Needy says she just knew the lead singer was up to no good because "he was skinny and twisted and evil like this petrified tree I saw when I was a kid." This is then accompanied by footage of a little girl looking at a tree. I have to say that the experience of watching this movie was not as bad as it sounds when described! It goes down a little more smoothly. Anyway, Needy goes home and we have generic spooky moments where we know something is in the house, then Jennifer shows up all bloody and catatonic. She pukes this black scum all over the floor, which then ripples in a creepy way. Then she's gone.

The next day we introduce this big jock long enough for Jennifer to lure him into the woods and kill him. Then Amy Sedaris shows up out of the blue as Needy's mom, who delivers the line "'Cause I'm a badass Ford-tough mama bear," then vanishes from the movie again. We also hear from Chip, Needy's totally adorable boyfriend, who says that the mom of the victim was "like a zombie mannequin robot psycho." So Diablo Cody-isms are flying thick and fast, and unfortunately in this case don't flow naturally, as they somehow did in Juno, but are forced of out the characters' mouths without sounding natural. Not to mention that there were several lines I just couldn't understand. Not to mention that the movie does that thing where characters are whispering or mumbling, then suddenly blaring guitars come on, causing one to keep one's volume button in hand the whole time.
SPOILERS > > >
So a month passes, and Jennifer starts to look bad (for Jennifer, we are later told), and we know that she needs to eat someone else. We have a long sequence in which Jennifer is out killing the local goth boy, while Chip and Needy are having a very sweet, happy lovemaking scene. It's too bad it has to come in the middle of this movie, because it's unusual to see a teen lovemaking scene that is this sweet, and in which both participants seem to be willing and having a good time. When they find out the goth kid was killed, Needy knows at once that it was Jennifer.
Soon Jennifer comes over to Needy's house, and we soon have the lesbian make-out scene we knew was inevitable. It's funny that the movie would try to play this general girl-power vibe and then still have to include this lesbian kiss to titillate the boys, but I suppose it's an EMPOWERING lesbian make-out session. Anyway, Jennifer tells Needy what happened, and here's where we flash back to Jennifer getting in the van with the rock band, only now she's worried and feeling vulnerable and the impression is that she was totally lured in there by evil men. So what we saw earlier--her getting confidently and happily in the van, with a snarky comment back to Needy apt how she's so square--is now completely contradicted and now it's all MEN'S FAULT. Evil men! Look, I know a woman has a right to change her mind, but this is more of a complete contradiction, and it's disappointing that the movie just takes the easy route of trying to boost up women by denigrating men. All they had to do was have Jennifer be reluctant from the start, and the whole girl-power vibe (one could barely qualify it as feminist) that the rest of the movie is going to trade in would make sense. Anyway, the now completely-unwilling Jennifer is taken to the waterfall with the mysterious whirlpool, as we knew she would be, when the guys ritually sacrifice her in order to gain success. The band thinks Jennifer is a virgin, but she's not, and Needy soon reads in a book that when this ritual is done but the girl isn't a virgin, a demon can still enter her, or something. I wouldn't ask for too much adherence to logic here.

Anyway, now there's a big dance coming up, and the movie teases us with the promise of a Carrie-like slaughter of all the boys at the dance. By the way, I think the movie is trying to develop this whole idea that the boys previously "devoured" Jennifer based on her looks, and now she is turning the tables by eating them, but it's a complete failure. Anyway, Needy begs Chip not to go, but he does, and they essentially break up. On his way there, he is accosted by Jennifer, who takes him to the Old Abandoned Swimming Pool. So no dance slaughter, guys. Sorry. Needy arrives just in time to see Chip dying, there is a big fight, and now we have some dialogue that Needy and Jennifer were total frenemies, with Jennifer keeping Needy around to make herself look better, and Needy saying she's just insecure because she's no longer "socially-relevant" (what? Like the economic crisis?) and that she takes laxatives to stay thin. Okay wait, now this movie is critical of women who are too worried about their appearance? Wouldn't that be in the category of the terrible demands a male-dominated society places upon young women? Unfortunately this movie wants to be saying something, but is just such a mess it can't end up saying anything. Nevertheless, we are supposed to think that Needy is finding her voice and her strength in breaking away from this lopsided friendship.

Now here's where I'm guessing the re-shot ending begins, but who knows, the Old Abandoned Swimming Pool was so out of nowhere that seemed like it might be a replacement ending as well. Jennifer is just laying on her bed at home when Needy suddenly smashes in through the window, they struggle and have banter, then Needy kills Jennifer, who can be killed by a stab through the heart, or whatever. By now anything might happen. Jennifer's mother, who hasn't been seen the entire movie, suddenly walks in and sees Needy there, having killed her daughter. Then we're back with Needy in the mental institution, where she informs us that since she got bitten, but survived, she now has demon powers, but is still apparently a good person. She easily escapes (why she hung around that long is anyone's guess), finds the ceremonial knife that killed Jennifer, is picked up by Lance Heinrickson doing a cameo, and as the credits play, finds the band and kills them. The end.
< <
Wow, what a total mess. But it's not that unpleasant to actually watch, in fact it's kind of fun, which is what makes it a shame that it's such a mess, because if Cody had only watched her Buffy she could have crafted this into something interesting. And if they hadn't given it to director Karyn Kusama, who had previously demonstrated her complete incompetence with Aeon Flux. The reason it almost makes it despite itself is the fun duo at its center, and particularly Megan Fox, who is a total hoot, and takes the role of Jennifer and runs with it. She's just super-fun and a blast to watch. She has a good rapport with Seyfried, and both of them, and these characters, deserve a much better movie than this. So, another in the long list of missed opportunities, movies that could have been good, but through a series of factors ended up a complete mess.
It won't kill you to watch, and it would be a shame if Megan Fox didn't get more fun juicy roles like this, but really there's no reason to put yourself through this.
If, after knowing it's a total mess, you still feel like it, why not?





Comments
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Rewatch
I thought this was a total disaster the first time I saw it, but it actually improved on repeat viewing. I liked it way better the second time through.
What a mess!
Damnit, now you've done it! You've made me... well, not watch the movie, I couldn't bring myself quite that far. But I did read through the script just to enjoy your take on it.
The script is dated September 2007 (before they started shooting), and for the most part the movie seems to follow it fairly accurately (at least plot-wise). I suspect the only thing the reshot added was showing Needy killing the band -- the script ends with her in Lance Henriksen's truck, on the way to their hotel. There's also no lesbian makeout scene in the script. Jennifer does sit in Needys bed, but beyond that they're chaste. Both the Abandoned Swimming Pool and the fight to Jennifer's death are in the script, though, including the line about social relevance.
The first laugh of the day comes with the description of our heroine "Needy" (and how ridiculous is it that even other kids' parents call her that?) as plain-faced and flat-chested. At that point I thought: wait a minute, doesn't this star Megan Fox and Amanda Seyfried? Sure enough, IMDB tells me Amanda Seyfried plays a "plain-faced, flat chested" teenager. Ah, the magic of Hollywood!
The script opens by giving away even more of the ending: first, we see Needy in the asylum. Then we flash back to her killing Jennifer and being found by Jennifer's mother, and then we flash back to before the concert. Maybe Diablo Cody wanted to keep us guessing whether Needy was right or really just mentally ill (particularly since at the asylum she cripples an orderly for no reason at all), but since we know what type of movie we're watching, it just misfires.
You're cheating with the Maroon 5 comment, aren't you? In the script they flat out say they want to be successful "like Maroon 5". Although I don't see a problem with them being Emo; wouldn't be the first trend ursurped by mainstream entertainment.
I don't know if it's different, but I did like the way the script dealt with Jennifer changing her mind: first she goes willingly, making snide comments to Needy. Once she's in the van, though, the boys treat her like an object, tell her to shut up, and she discovers all their satanic paraphernalia, and that's when she gets scared and wants to leave. Personally I like that conceptually better than having her be reluctant from the start. Obviously the characterisations should be consistent, but frankly there are way too many dudes who think that once a girl shows clear interest she's not allowed to change her mind, and I think dealing with that is more interesting than having her be both reluctant from the start but stupid enough to go with them anyway (I think it would have been hilarious if the band leader had complained that she can't refuse to be their sacrifice, not after she willingly went with them in their van).
It's really a shame that this is such a mess because there are plenty of ideas hinted at -- the whole devouring thing, the unequal relationship between Jennifer and Needy, the body image stuff -- but none of them are properly developed. I think one big problem Diablo Cody is really struggling with is that she feels like her characters have to be constantly spouting witty lines, and that keeps them somewhat aloof, at a distance, preventing them from developing stronger relationships and often making them look rather callous.
As for Buffy, I think season 4 is where the problems started because while they had some clear ideas on where to take the characters thematically, they didn't quite figure out how to get them there on the plot level. Season 2 had that whole "First Love" thing going on and dealt with that by pitting Buffy first against a pair of Vampire lovers and then against her own ex-lower. Season 3 had parental relationships and gave Buffy first a metaphorical sister to compare herself to, and then an evil father figure for said sister.
I guess season 4 is on some level about the culture shock once you leave high school and the world doesn't work the way you thought it would, and about finding your new identity, and thematically both the Initiative and Adam play into that, but on a simple textual level... I still have no clue why Dr. Walsh would want to build Adam, let alone what he wanted besides vaguely embodying metaphors.
Worse, the Initiative plot absolutely shreds any suspension of disbelief, and that's something that reverberates throughout the rest of the show. Remember how in one of the first episodes Xander suggests calling the police and Buffy replies that the cops would just turn up with guns and would get slaughtered? And how you thought: yeah, but once they notice that guns don't kill vampires, they'd figure out what does, and then they'd come back with stakes or swords or whatever and waste the entire Vampire population of Sunnydale? But you figured, okay, I'll give them that as part of the premise, adults can't accept belief in monsters (unless they're Watchers. Eh, the adults I mean), as long as we never speak of it again?
And here, then, they spend an entire season telling you, that yes, just like you thought from the very first episode, people have no problem accepting that all these monsters exist, and once they do, they'll do some excellent monster hunting on their own and actually surpass Buffy at the grunt level stuff. And then, after having laughed and mocked your generous premise acceptance for an entire season, they hit a big giant fat reset button and pretend it never really happened.
It's like those Superman stories where Clark Kent takes off his glasses and mocks Lois Lane for not recognizing him: you can play the premise straight, or you can poke holes in it, but you can't poke holes in it and then pretend to play it straight again.
Script
Wow, so it sounds like NOT as much changed from the script to the film. You're right, it's a shame because it does hint at a lot of interesting ideas, just doesn't develop any of them. I think they DID leave the Maroon 5 line in there. Interesting the continuity thing of Jennifer getting into the van then changing her mind... I think because the movie breaks them into two distinct sequences, it doesn't seem like she changed her mind, just like that she's a different person. Anyway, wrong as Seyfriend might have been, the two of them do have great chemistry together.
As for Buffy... I just thought Season 4 had a lot of great episodes. The whole thing with the Initiative never really worked and was a bit of a clanger. I never minded the "not call the police thing" because I think it's just the price of entry for something like that. Oh well. The real scandal is that there were no "Willow" or "Faith" spin-off shows. HOW could there NOT be a WILLOW spin-off after that?!?!?!?
A Grower
I actually liked this a lot more the second time through, so it's oddly a grower. The first time I saw it all I could see was overdone dialogue and the loooong music-video moments in place of anything interesting. But on a second viewing I was like "Is is me or is Megan Fox totally killing this role?" This movie is why I lament that nobody seems to want to give her a real part, as I think there might be a real actress in there somewhere.
I love the Buffy references
I love the Buffy references you make ;) By the way, sorry to be off-topic, but I'm curious to know why you consider seasons 2-4 to be the best. I know you loved season 2, but personally I didn't like s4 that much, while I loved 5 and the controversial season 6...
After she was kicked out of Transformers 3, it seems Megan Fox has vanished form the screens. I hope Michael Bay (how I hate him!) isn't secretly sabotaging her career...
Buffy
I love Buffy 1-6, I just think 2-4 have a) the best overall stories, and b) just a lot of tight, excellent episodes. It also seemed they had clear ideas of where this character was going, whereas after 4 it seemed they had to think about where to take her next. I think it was a mistake to take her out of school so soon, because high school and college settings everyone can relate to. I wish 5, with Willow turning into the villain, was a strong as it could have been, but they just didn't make it fully work [for me]. I liked 6 as well, once I got my head around who Dawn was. There was a time when I was going to have reviews of every season up, but reviewing 22 episodes is a lot of work! Thanks for your comment.
Agreed!
Enjoyed the movie well enough but glad I didn't pay too much for my copy of it.
About the only really memorable scene for me was when Jennifer swims in the lake - not because of "oh my god naked Megan Fox"-ness but that it is a really impressive landscape shot and it took me a long time to realise Jennifer was even in the shot.
Typos, not including the movie
About 3 of them in paragraph #4. Other than that, man was I disappointed in this movie. I should've done my research into who was involved (Karyn Kusama, damn you!) so I didn't have to suffer through this somewhat mindless twaddle with my hopes up. Although, I think this is Megan Fox's best performance to date. And you're right, Seyfried complements her well, as well as the sometimes on-point color pallet. It's too bad, there was a lot of room to branch out on the potentially subversive material.
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