Safe

Some recoil from pine-scented cleaning power
Released:
1995

Director: Todd Haynes

Starring: Julianne Moore, Peter Friedman, Xander Berkeley, Susan Norman

The Setup:

Woman becomes allergic to everything.

Discussion:

I had seen this movie a few years ago and really liked it, so I was eager to watch it again at some point and get it up on this site. At that time I was going to gather a themed collection of horror movies that aren’t really horror movies, but that idea fell away and now I can’t remember what any of the other movies in it might have been.

We open with these credits as we see the driver’s POV of a car moving through a subdivision at night. This is the San Fernando Valley of 1987. Then we see Julianne Moore as Carol, getting fucked by her husband. She is clearly not interested, but she’s good, the way she goes through the motions of periodically rubbing his back and giving him a little kiss after he’s done. She goes to aerobics class, and afterward her friends observe that she doesn’t sweat.

Carol is expecting a new couch to be delivered. She comes home to receive a call from her mother [Carol: “He’s fine. She’s fine. They’re fine. I will. I will, mother.”], then turns to see that the couch has come, and it’s black. It’s black and she ordered teal! This is the start of all Carol’s problems, and this time, it hit all too close to home for me: I’M expecting a couch to be delivered in a few days! Would mine, too, prove to be an ominous omen of lingering ill reproach?

By this time you will have noticed that there is always some sort of TV or radio on in the background. Carol’s discovery of the couch is hilariously set to “Turn Your Love Around,” and we hear many other examples of the banal media that surrounds us. Her maids gossip in Spanish and ignore Carol’s calls. Carol returns to the store and is informed that the order states she wanted black. “Well that’s impossible,” she says, “because it doesn’t go with anything we have.” Afterward, she is driving behind a truck that does not seem to be meeting state and federal emissions regulations. She starts coughing uncontrollably, and pulls into a parking garage, driving through the anonymous space as she hacks and wheezes. It’s creepy and scary.

SPOILERS > > >
We cut from a line of cars on the freeway to a shot of the planet Earth—I love thematically obvious stuff like this. Then her son reads his school report at dinner, about street gangs, with special emphasis on murders, shootings, stabbings, dismemberment…. Then Carol gets a perm—and a nosebleed. Around this time one has begun to notice the large amount of shots set near windows with cars passing by outside. Her husband finds that Carol no longer wants to have sex. He holds her—and she pukes!

One day she finds a flyer in the supermarket saying “Are you allergic to the 20th century?” which informs her about people who are environmentally sensitive. She goes to her doctor, but he can’t find anything wrong with her. She has another attack at a baby or wedding shower, and tells her husband that she’s become allergic to all the chemicals that pervade our environment. “So you think you’ve been sick because of… bug spray?” he asks.

It goes on. Eventually Carol builds a 'safe' room in her house, and soon after takes off for Rainwood, this retreat for chemically-sensitive people, where she meets a featured patient played by Jessica Harper of Suspiria and Phantom of the Paradise. She also meets guru Peter, who one patient says is environmentally sensitive AND has AIDS, so "his perspective is incredibly vast." Depending on your point of view, she either finds understanding at last or goes completely off the deep end.
< < < SPOILERS END

As a conversation piece, it brings up a great deal, chief among which is whether this illness is real at all, or just psychosomatic. When I watched this the first time, I thought it was quite obvious that it was psychosomatic, but now I think the movie is fairly open about how it could be interpreted, and in many ways isn't really about environmental illness at all. There are many who interpret it to be about AIDS, but I think it's mostly about disaffection from the modern world [making it a great double-feature with Ghost World], with the title being ironic; can we ever really be safe? What does it mean to be safe? Most of the chemicals in the products we use are at 'safe' levels. We are clearly shown that Carol doesn't enjoy sex with her husband, but what's interesting about the movie, leaving it open to interpretation, is that although the rest of Carol's life seems boring and banal to US, with the constant talk radio and insipid music [not that "Turn Your Love Around" is insipid… well, okay, but not that that's a problem], and aerobics classes and showers and fruit diets, we don't necessarily get much evidence that it's banal to HER. That is to say, her life in incredibly empty, but we don't know for sure if she finds it empty, or we're just projecting onto her.

Now I have "Turn Your Love Around" in my head.

Part of what made me feel this way was an article in New York Magazine about parents with chemical sensitivities, and it mentioned that those people consider this movie their statement. I was like; "WHAT?! It's an obvious satire!" but upon review, maybe it's not that obvious. So who knows. Regardless, you might find this Wiki page on MCS, or Multiple Chemical Sensitivity, fascinating, as I did. In it we find that doctors can still find no evidence of a physical basis for their symptoms, and that MCS correlates strongly with depression...

Since I watched the movie, I read the essay the writer / director wrote for the DVD booklet, and learned, somewhat to my disappointment, that he does in fact believe in environmental illness, and was making this completely clear and straightforward movie about it. He also explicitly states that he also saw it as a parallel to the AIDS crisis. So, shows what the fuck I know, though I consider it a strength that the movie can be interpreted in multiple ways. By the way, this movie shares an odd number of elements with The Incredible Shrinking Woman. In that film, Lily Tomlin begins shrinking because of all the chemicals in her environment, and there is a similar scene of her trapped in a car with an aerosol chemical, and coughing terribly.

But, as a movie? Definitely interesting, but perhaps it leaves a bit to be desired in the storytelling department. This is more of a statement than a drama. Carol has an attack! Then she has a worse attack! Then a WORSE attack! That's about the structure of the screenplay, and while I found it very compelling the first time, in retrospect I think maybe that was just the novelty of the concept. This time—there just isn't much of a story here. The movie is still quite different and worth watching, it's just less of a complete story and structured film than I hoped it would be. It's kind of more of a conversation piece than anything.

Should you watch it?

Yes, it's definitely worth watching at least once.

Comments

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I too felt that the movie was

I too felt that the movie was about her physical reaction to her disaffection from her life. It looks like she has a milk allergy, which she went through withdrawal from when she started the fruit diet, and then had even worse attacks when she started eating dairy again, especially after eating ice cream cake at the shower. But because she believed it was the chemicals she started having anxiety attacks around them.

What I didn't understand was how the section of the movie where she's at the retreat relates to the first half. She's still suffering from symptoms even though she's removed from her intolerable life. The only thing I noticed at first at the retreat was the guru's huge mansion on the hill, so maybe Carol went from being a consumer zombie to being an exploited cultist zombie. I watched it again, and I was also thinking about your "The Birds Explained" essay, watching what was happening in her life that triggered an attack. But what stuck out to me was the conversation with her friends in the locker room after aerobics. One was reading a book about how to "own your own life" that said "we're taught what to do, what to think, but emotionally we're not really in charge", and another was saying how the 12 step program was just another form of addiction, and we see how Carol trying to cure herself just leads her to go from emotional alienation to physical alienation.

In both parts of the movie Carol is taught that being narcissistic leads to happiness. And the movie does make it clear that she was unhappy, but she said at the retreat that she hated HERSELF, and I don't think she was aware that it was her life that was the problem. Just as the Guru told the followers that the only person that can hurt them is themselves, and the solution to everything is to stare in the mirror and say "I love you".

The Therapy Retreat

Well, I feel like they didn't really have an ending for this, and anyway, this is one of those movies where just presenting the issue IS the content, so the ending is not all that important.

I took it that the ending is saying that the problem is inside her... you have the creepy image of her running around in the white suit, but even that doesn't solve her problem. She, like the women at the gym, are all searching for something that will give their lives the larger meaning they believe they're supposed to have, not realizing that maybe this quest is itself wrong-headed. So when she's in the mirror saying she loves herself she is trying to force herself to some place of self-acceptance which she thinks will make everything okay, although we're left with the sense that she is just lost. I guess the movie could have been more focused this way, but it does bring up a lot of stuff and leaves it all nicely ambiguous...

Yes, watched it once

I remember Safe being a big deal when released and finally saw it about ten years later. I suppose it's a kinder, gentler version of those "we're destroying the planet!" sci-fi cautionary tales of the 70s and late 60s, but found it *way* too subtle -- so subtle that (as you mention) it's difficult to see if it's taking a stand one way or another, and since I didn't feel involved with anything on-screen I didn't feel the need to interpret it. Sure, sometimes a "Rorschach blot movie" can be fun, but the best that can be said about this one is that Safe's subtlety keeps it from veering into "disease of the week" TV movie territory.

Safe

I haven't read the director commentary you cite above but I do find it interesting that Haynes says he really believes this is a legitimate syndrome, since the movie fairly obviously depicts it all satirically. What's crucial for me is how this depiction is somewhat equivocal, and I have to believe he's saying this for promotional purposes only. I am a bit reminded (here's where my credibility goes out the window) of Verhoeven saying Showgirls is meant to be a razzle-dazzle musical in some promo literature. It's clearly razzle-dazzle but you have to be a dolt not to see the commentary going on. Then again, doltish American audiences are the primary subject if his critique. I do think Safe can be interpreted a couple ways but I don't believe deep down Haynes thinks this is a legitimate illness that needs exploration.

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